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I Can code the Nature
In a world where technology no longer merely imitates life but understands it, I Can Code the Nature follows a visionary coder who discovers that the laws of nature can be translated into code. From the rhythm of rainfall to the logic of ecosystems, every natural phenomenon begins to reveal a hidden algorithm. As the protagonist deciphers these patterns, they blur the line between creator and creation—rewriting storms, optimizing forests, and predicting disasters before they occur. But with this power comes an unsettling question: should nature be controlled, or protected from perfection? Blending science, philosophy, and imagination, I Can Code the Nature is a thought-provoking journey into a future where code becomes a new language of the Earth itself.
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Heaven’s Eternal Gate
Body, Divine Abilities, Longevity, Immortality, Eternal Life — the five realms. How does a humble, insignificant being take one step after another toward opening the gate of eternal life? Within heaven and earth lie the mysteries of the body's structure, the secrets of divine abilities, the carefree freedom of longevity, the power of becoming an immortal, and the hope of eternal life — all contained within this tale. Endless novel magical treasures, brand-new worlds, immortal sects; humans, demons, gods, immortals, devils, kings, emperors; love and hatred, gratitude and resentment in the human world; conflicts, power struggles, and battles of Daoist magic — all are found within Eternal Life. After Buddha is the Way, Old Demon of Black Mountain, Legend of the Dragon and the Snake, and Yang God, Meng Ru Shen Ji brings yet another powerful and breathtaking work.
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New year's Day
The first sunrise of the year arrived quietly. No fireworks. No music. Just pale gold light sliding across the sleeping city. Aarav stood on his balcony with a cup of tea warming his hands. The world felt different on New Year’s Day — softer, slower, as if even time had decided to breathe.
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Border : the last sunrise
At the edge of India, where the mountains touched the sky and the wind carried stories of sacrifice, stood Indian border soldiers guarding the nation while the world slept.
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Frankenstein
The story explores themes of ambition, the quest for knowledge, and the consequences of man's hubris through the experiences of Victor Frankenstein and the monstrous creation of his own making. The opening of the book introduces Robert Walton, an ambitious explorer on a quest to discover new lands and knowledge in the icy regions of the Arctic. In his letters to his sister Margaret, he expresses both enthusiasm and the fear of isolation in his grand venture. As Walton's expedition progresses, he encounters a mysterious, emaciated stranger who has faced great suffering—furthering the intrigue of his narrative. This stranger ultimately reveals his tale of creation, loss, and the profound consequences of seeking knowledge that lies beyond human bounds.
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The Time Machine BY HG WELLS
<p>thought of it. It's plain enough, and helps the paradox delightfully. We cannot see it, nor can we appreciate this machine, any more than we can the spoke of a wheel spinning, or a bullet flying through the air. If it is travelling through time fifty times or a hundred times faster than we are, if it gets through a minute while we get through a second, the impression it creates will of course be only one-fiftieth or one-hundredth of what it would make if it were not travelling in time. That's plain enough.' He passed his hand through the space in which the machine had been. `You see?' he said, laughing. We sat and stared at the vacant table for a minute or so. Then the Time Traveller asked us what we thought of it all. `It sounds plausible enough to-night,' said the Medical Man; 'but wait until to-morrow. Wait for the common sense of the morning.' `Would you like to see the Time Machine itself?' asked the Time Traveller. And therewith, taking the lamp in his hand, he led the way down HG Wells</p>
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Aladdin and His Magic Lamp
<p>"Forgive my ignorance," he asked, "what is the palace you speak of?" Have you not heard of Prince Aladdin's palace," was the reply, "the greatest wonder in the world? I will direct you if you have a mind to see it." The magician thanked him who spoke, and having seen the palace knew that it had been raised by the Genie of the Lamp, and became half mad with rage. He determined to get hold of the lamp, and again plunge Aladdin into the deepest poverty. Unluckily, Aladdin had gone a-hunting for eight days, which gave the magician plenty of time. He bought a dozen lamps, put them into a basket, and went to the palace, crying: "New lamps for old!" followed by a jeering crowd. The Princess, sitting in the hall of four-and-twenty windows, sent a slave to find out what the noise was about, who came back laughing, so that the Princess scolded her. "Madam," replied the slav</p>
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The Arabian Nights
<p>Now "The Arabian Nights," some of which, but not nearly all, are given in</p><p>this volume, are only fairy tales of the East. The people of Asia, Arabia, and</p><p>Persia told them in their own way, not for children, but for grown-up people.</p><p>There were no novels then, nor any printed books, of course; but there were</p><p>people whose profession it was to amuse men and women by telling tales. They</p><p>dressed the fairy stories up, and made the characters good Mahommedans, living</p><p>in Bagdad or India. The events were often supposed to happen in the reign of the</p><p>great Caliph, or ruler of the Faithful, Haroun al Raschid, who lived in Bagdad in</p><p>786-808 A.D. The vizir who accompanies the Caliph was also a real person of</p><p>the great family of the Barmecides. He was put to death by the Caliph in a very</p><p>cruel way, nobody ever knew why. The stories must have been told in their</p><p>present shape a good long while after the Caliph died, when nobody knew very</p><p>exactly what had really happened. At last some storyteller thought of writing</p><p>down the tales, and fixing them into a kind of framework, as if they had all been</p><p>narrated to a cruel Sultan by his wife. Probably the tales were written down</p><p>about the time when Edward I. was fighting Robert Bruce. But changes were</p><p>made in them at different times, and a great deal that is very dull and stupid was</p><p>put in, and plenty of verses. Neither the verses nor the dull pieces are given in</p><p>this book</p>
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Beauty and the Beast
<p>But when the Beast really appeared, though she trembled at the sight of him, she made a great effort to hide her horror, and saluted him respectfully. This evidently pleased the Beast. After looking at her he said, in a tone that might have struck terror into the boldest heart, though he did not seem to be angry: "Good-evening, old man. Good-evening, Beauty." The merchant was too terrified to reply, but Beauty answered sweetly: "Good-evening, Beast." "Have you come willingly?" asked the Beast. "Will you be content to stay here when your father goes away?" Beauty answered bravely that she was quite prepared to stay.</p>
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Valmiki Ramayana (Light Novel)
<p>A soft breeze stirred the treetops as the old sage Valmiki sat beneath the spreading branches of a sacred fig tree. His eyes were half-closed, not in sleep, but in deep contemplation. The forest around him was alive with birdsong, but it was his inner melody that hummed louder than any creature’s call—the eternal tale of <strong>Rama</strong>.</p>
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Love in the '70s: A Free Romance
<p><strong>[Modern Romance]</strong></p><p><em>Love in the '70s: A Free Romance</em> by Dongbian Yueliang Yuan</p><p>Shen Qiao didn’t get married until her seventh year of being sent to the countryside. In her eighth year, she passed the college entrance exams. The whole production brigade whispered, “Looks like the city phoenix is flying back home.”</p><p>But a phoenix only nests in a parasol tree, and Shen Qiao's tree is her husband, Zheng Zhong. He’s worked hard to plant his roots in the city so that his "phoenix" can soar and land steadily.</p><p><strong>Note:</strong> A slice-of-life story—romance-heavy, career-light.</p><p><strong>Tags:</strong> Sweet Romance, Period Novel, Coming of Age</p><p><strong>Featured Themes:</strong></p><p>Period Stories · Sweet and Pampering Love · Eastside Full Moon · Rugged Male Leads</p>
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Amma’s Red Saree
<p>After her mother’s passing, Mira returns to clean the family home and finds a faded red saree tucked away. Inside its folds are letters and items that reveal her mother’s untold story — of love, rebellion, and resilience during India’s early years of independence. Through these memories, Mira not only learns about Amma but also finds her own strength and clarity.</p>
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The Mango Tree in Nana's Courtyard
<p><strong>Summary:</strong> A city-based man returns to his village after years to sell the ancestral house — only to be emotionally pulled back by memories of his childhood under the old mango tree and his bond with his grandfather.</p>
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Only After I Was Reborn Did I Realize That I Had Childhood Sweethearts
<p>Mei Fang’s rebirth story takes him back 20 years to the year 2002, becoming a 6-year-old boy who just wet the bed during nap time.</p><p>On this same bed-wetting day, he tightly grasped a fate he had overlooked in his previous life, a love story spanning beautiful years, thus beginning a new journey—</p><p>“Mei Fang, the three of us, are we going to be forever and ever, always good friends?”</p><p>“Pinky promise… it’s a deal… no change is allowed… for a hundred years.”</p><p>From a well-behaved little angel to a mischievous little devil.</p><p>From a troublemaking wild girl to a cold and aloof female top student.</p><p>The personalities of these playmates who spend their days together will evolve with the changing circumstances. Do you still like the way she was at the beginning?</p><p>Playing with childhood sweethearts, and frolicking through the day, their paths crossed at the doorstep of their youth.</p><p>Not shy or reserved, only infatuated without constraint.</p>
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Rickshaw Rides and Rainy Days
<p>A young woman in Mumbai, lost in the monotony of her busy life, develops an unexpected friendship — and later love — with a cheerful rickshaw driver. Through their daily rides, she learns to rediscover the joy in the small moments and finds beauty in a world that seemed too fast-paced and cold.</p><p><br></p>
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Japanese Fairy Tales
<p>This collection of Japanese fairy tales is the outcome of a suggestion made to me indirectly through a friend by Mr. Andrew Lang. They have been translated from the modern version written by Sadanami Sanjin. These stories are not literal translations, and though the Japanese story and all quaint Japanese expressions have been faithfully preserved, they have been told more with the view to interest young readers of the West than the technical student of folk-lore.</p>
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Adventures of Pinocchio
<p><em>The Adventures of Pinocchio</em> is the story of a wooden puppet who dreams of becoming a real boy. Crafted by a poor woodcarver named <strong>Geppetto</strong></p>
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Please Lock the Door
Everything traces back to that strange phone call in the early hours of the morning: Mrs. Ge, a former nurse, claimed she had caught a giant rat—one she insisted had grown fat from gnawing on corpses! The young detective Wu Jianxiang, who took the case, sensed immediately upon arriving at the scene that there must be a hidden room. When the iron door to the secret chamber was finally pried open, a wrist crawling with white maggots was found wrapped in a bed sheet. Even more horrifying, the moment the sheet was pulled, the cabinet door beside it suddenly flew open, and a corpse sprang out from inside. Everything happened so quickly that Wu couldn’t help but question himself: Why had he rushed into the bedroom? Why had he destroyed the crime scene without hesitation? A wave of terror washed over him—it felt as though he had plunged into a nightmare from which he could not awaken. And yet, as the convoluted, baffling case reached a deadlock, an even stranger event occurred: a man appeared before Wu, claiming to be “the next victim,” and insisted Wu accompany him back to the secret chamber—to uncover the true killer!
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